Two catalogues of the same title—one in Chinese and one in English—have been published as part of this exhibition, serving as important scholarly outcomes and long-term archival records. In addition to featuring the curator’s full essay, which systematically outlines the exhibition’s academic context, curatorial concept, and historical framework, the catalogues also present representative works by all participating artists. High-quality plates document both the visual details and the creative processes behind the artworks.
These publications therefore function not merely as commemorative exhibition catalogues, but as professional reference works of lasting scholarly and reading value. Issued in both Chinese and English editions, they provide an important resource for international scholars, curators, museum professionals, and art enthusiasts, and will serve as significant documentation for research on contemporary Chinese painting and the development of Surrealism within the Chinese context.